剧情简介
駆け出しのフォトグラファー小山田（金子大地）は、克兰撮影で読者モデルのユカ（石川瑠華）と出会う。コケティッシュでピュアなユカに惹かれ、克兰彼女を被写体に次々と作品を撮り始める小山田。そして二人は付き合い始め、猿楽町で撮った作品はコンテストで受賞し周囲に認められ始める。しかし、元カレの存在を知った小山田は次第にユカの言動を疑い始め…。
克兰弗德 第一季
駆け出しのフォトグラファー小山田（金子大地）は、克兰撮影で読者モデルのユカ（石川瑠華）と出会う。コケティッシュでピュアなユカに惹かれ、克兰彼女を被写体に次々と作品を撮り始める小山田。そして二人は付き合い始め、猿楽町で撮った作品はコンテストで受賞し周囲に認められ始める。しかし、元カレの存在を知った小山田は次第にユカの言動を疑い始め…。
周治平
回复 :故事发生在一栋老式公寓内，房东（任达华 饰）贴出了招租启示，以极低的价格将公寓里的6间房租了出去，然而，天底下哪有白捡便宜的道理呢，被低价吸引而来的租客想要在这里生活，自然还要付出金钱之外的东西。整天嬉皮笑脸的体育老师老张（庄凯勋 饰）、贪玩好色懒惰的废柴大学生伯彦（侯彦西 饰）、带着正在念四年级的女儿的单亲爸爸王先生（游安顺 饰）、拥有天使外貌魔鬼身材的陈小姐（李杏 饰）、同性恋情人令狐（森竣 饰）和郭力（李康生 饰）、神秘美女颖如（邵雨薇 饰），很快，6间房均迎来了它们的住客，等待着这些人的，除了崭新的生活外，还有房东给他们安排的针孔摄像机。
刘天兰
回复 :A young lady, who recently lost her mother, faces the challenges of high school and her very strict step-father. Through personal growth, and an amazing dedication to dance, she learns to find the peace and happiness of family.
叶宇澄
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
